A Field of Dreams: Independent Writing Programs and the by Peggy O'Neill, Angela Crow, Larry W. Burton

By Peggy O'Neill, Angela Crow, Larry W. Burton

One of many first collections to target autonomous writing courses, A box of goals deals a posh photograph of the event of the stand-alone. integrated listed below are narratives of person courses from quite a lot of associations, exploring such concerns as what institutional concerns ended in their independence, how independence solved or created administrative difficulties, the way it replaced the tradition of the writing application and school experience of objective, luck, or failure.

Further chapters construct better principles concerning the benefits and downsides of stand-alone prestige, protecting hard work matters, promotion/tenure matters, institutional politics, and others. A retrospective at the well-known controversy at Minnesota is incorporated, in addition to a glance on the usual self reliant courses at Harvard and Syracuse.

Finally, the e-book considers disciplinary questions raised via the expansion of stand-alone courses. Authors the following reply with critique and mirrored image to principles raised via different chapters—do present self sustaining versions inadvertently slash the effect of rhetoric and composition scholarship? Do they have a tendency to disregard the outward move of literacy towards know-how? Can they be established to reinforce interdisciplinary or writing-across-the-curriculum efforts? Can self sufficient courses play a extra influential function within the collage than they do from the English department?

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Extra info for A Field of Dreams: Independent Writing Programs and the Future of Composition Studies

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However, something happened to the proposal on the way to the board of regents, the governing body for the university system of Georgia. The deans’ council voted against the school model. After this vote, the academic vice president created the new position of associate dean, whose job would be to supervise both departments and coordinate interaction between them. The position, however, was not clearly defined, even, apparently, to the associate dean himself. The Department of English and Philosophy was officially disbanded.

The need to defend academic writing and professional writing as “liberal arts” surprised us, for those of us in rhetoric and composition, from our earliest training in the field, have understood the continuity academic, public, and workplace discourse has with the oldest of the ancient liberal arts. For twenty-five hundred years, nobody would have thought to consider rhetoric and writing as anything but rooted in the liberal arts tradition. This contrary position among several literature faculty (who, in self-contradiction, apparently had no reservations about the place of communications studies in the liberal arts or a theater program separate from English) revealed their deep biases against any education with practical dimensions and worldly affections.

T]his . . is a political, social and economic fact of our professional life” (7). Similarly, Susan Miller suggests that the nature of the work writing teachers do symbolically renders them as “maid-figures” to the rest of the academic community. As Turner and Kearns state, “It did not take us long after separation from the English department to discover just how vulnerable a new academic unit can be, especially when it lacks the prestige of a strong and known disciplinary tradition” (this volume, 93).

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